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Blogging the History of Women in Ancient World Studies

The Mrs Stewarts. Part two - Eve Dray

29/9/2020

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Eve Dray (1914-2005) 
​Part two of a two-part series on Eleanor Stewart and Eve Stewart and their contributions to Cypriot archaeology in Australia

Written by Dr Craig Barker
The University of Sydney

The two wives of Professor James RB ‘Jim’ Stewart were his equals in fieldwork and the recording of finds from the varied Australian excavations of Early and Middle Bronze Age Cyprus directed by Stewart between the late 1930s and Jim’s death in 1962. However, neither gained significant recognition for this work during their lifetime. Jim’s first wife, Eleanor Neal, co-excavated and co-published the first Australian-directed archaeological excavations in Cyprus at Vounous between 1937-8. This blog entry will explore the life of Eve Dray, Jim’s second wife, to help reassess her importance in Cypriot archaeological studies.
PictureEve Dray in Cyprus, 1947. Courtesy of Dorothy Eve Stewart Archives, University of New England (2013.149)
Dorothy Evelyn ‘Eve’ Dray (1914-2005) was born in London to Margery and Tom Dray, an English surveyor, who worked in various capacities in places such as Egypt, Belgium and eventually Cyprus, taking his wife and daughter with him.  Eve studied French and Mathematics at Royal Holloway College between 1933-37, but she discovered an interest in archaeology when she learnt pot mending and drawing with Mortimer Wheeler at the Institute of Archaeology in London. Her skills were soon recognised. Eve worked on Wheeler’s excavations at Maiden Castle in Dorset, serving in 1936 under site supervisor Joan du Plat Taylor who encouraged Eve to join her team in Cyprus.
 
Eve found that her work with the Cyprus Museum and her skills as an archaeological illustrator became highly valued on the island. One project she worked on was Vounous with the young Jim and Eleanor Stewart. Along with Joan and Sydney-born Margaret ‘Kim’ Collingridge, Eve was a participant in the excavations of tombs at Tsambres and Aphendrika (Dray and du Plat Taylor 1939). The adventures of the team were sensationally reported in the Australian media at the time: “Archaeologist mistaken for a spy” Sydney Morning Herald 15 December 1938.
 
In 1939 Tom Dray inherited a property and land at Tjikos in the north of Cyprus, assets that would be central to the rest of Eve’s life. The building came into his possession from William Scorseby Routledge, the widower of Katherine Routledge, the first female archaeologist to work in Polynesia. Eve would later assist in the tracking down of some of Routledge’s lost archaeological documents. The house at Tjikos over time became the base for much of Eve and Jim’s fieldwork on the island.

PictureEve and Jim Stewart at Mt Pleasant, Bathurst, 1953-54. Courtesy of Dorothy Eve Stewart Archives, University of New England (2013.149.1)
After the war, Eve was reacquainted with Jim during his 1947 visit to Cyprus in preparation for his new teaching position at The University of Sydney. The two travelled the island to scope opportunities for Jim’s proposed Australian Cyprus Expedition and became lovers. As Jim left for Australia, he hastily devised plans to get Eve to Sydney too. In the intervening months she acted as his ‘agent’ on the island, acquiring antiquities for the Nicholson Museum and his personal collection. In Sydney she would join the now-separated Stewart, taking up the position of Technical Assistant at the Nicholson Museum. After their marriage in 1952, Eve’s employment with the museum ceased and the two relocated to Jim’s inherited manor house ‘Mt Pleasant’ near Bathurst, where Eve worked meticulously mending and illustrating finds. ​

​The Stewarts conducted fieldwork campaigns in the 1950s in Cyprus on a series of Early and Middle Cypriot burials which were not on the ambitious scale that Jim had initially planned for his Australian fieldwork projects. By the time of the couple’s final excavations at Karmi in 1961, Jim was very ill, and he passed away in 1962. 

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Eve Stewart and Derek Howlett planning Lapatsa Tomb 1. Courtesy of Robert Merrillees (Webb et. al. 2009, fig 1.7)
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Eve Stewart supervising Mary Ann Meagher and Yiannis Kleanthous during excavations at Karmi, 1961. Courtesy of Robert Merrillees (Webb et. al. 2009, fig 1.6)
Cyprus was inextricably linked to the pair in life and in death. Eve wrote to Jim in 1947, “it is our island … those dusty roads … mountains, the sea, the bareness … are all part of you and me” (Powell 2013, 4). Eve would carefully oversee Jim’s legacy for the rest of her life, but in the context of decreasing funds and increasingly complicated relationships with the administration of the University of Sydney. She carefully shepherded through the publication of the excavations at Ayia Paraskevi, Vasilia and Karmi, alongside other corpora of the Stewarts’ material.

​Less successful was her aim to turn the property at Tjiklos into a centre for Australian archaeology in Cyprus, especially after the Turkish invasion of 1974. Attempts at 
establishing a foundation for the study of Cypriot archaeology at the University of New England were also unsuccessful. However, the money Eve raised from the sale of the Tjiklos house in 1986 was invested in the purchase of a building in Nicosia by the Cyprus American Archaeological Research Institute (CAARI) where today researchers and students of the archaeology of Cyprus can stay in the J.R. Stewart residence. Museums and universities across Australia are now homes to collections of Cypriot material from the Stewarts’ excavations.
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The residence and library of the Cyprus American Archaeological Research Institute (CAARI) in Nicosia - www.caari.org
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Red Polished III askos, c.2100-1950 BC, excavated during the 1961 season at Karmi. NM93.1, Nicholson Collection, Chau Chak Wing Museum, The University of Sydney.
Eve’s personal reminiscences recorded in 1999 for the fourth conference on Cypriot Studies at La Trobe University have now been published (Stewart 2013) as have some of her letters (Powell 2013). She died in a nursing home in 2005. Her archives are held in the University of New England Heritage Centre.
​
Neither Eleanor nor Eve ever held an academic position, nor were their contributions to archaeology particularly celebrated during their lifetime beyond a general admiration for Eve’s determination to promote Jim’s legacy and complete his work. Thankfully, a greater acknowledgement of their respective contributions to Cypriot archaeology has finally begun. 

​
Read The Mrs Stewarts. Part one - Eleanor Neal

References

  • Dray, E. and J. du Plat Taylor, ‘Tsambres and Aphendrika: two Classical and Hellenistic cemeteries in Cyprus’, Report of the Department of Antiquities, Cyprus 1937-39, 24–123
  • Knapp, A.B., J.M. Webb and A. McCarthy (eds), J.R.B. Stewart: an archaeological legacy (SIMA CXXXIX: Uppsala 2013)
  • Powell, J. Love’s Obsession: The Lives and Archaeology of Jim and Eve Stewart (Kent Town 2013)
  • Stewart, E., ‘Eve Stewart on James Stewart’, in:  A.B. Knapp, J.M. Webb and A. McCarthy (eds), J.R.B. Stewart: an archaeological legacy (SIMA CXXXIX: Uppsala 2013), xiii-xiv
  • Webb, J.M., D. Frankel, K.O. Eriksson & J.B. Hennessy, The Bronze Age Cemeteries at Karmi Palealona and Lapatsa in Cyprus. Excavations by J.R.B. Stewart (SIMA 136: Sävedalen 2009).
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The Mrs Stewarts. Part one - Eleanor Neal

22/9/2020

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Eleanor Neal (1911-2002) ​
​Part one of a two-part series on Eleanor Stewart and Eve Stewart and their contributions to Cypriot archaeology in Australia.

Written by Dr Craig Barker
The University of Sydney

​Two women, Eleanor Stewart (nee Neal) and Eve Stewart (nee Dray), had a profound impact upon the development of Cypriot archaeological studies in Australia, although their contribution has often been overlooked.  James R.B. “Jim” Stewart (1913-1962) is regarded as the founder of Cypriot archaeology in Australia and a major contributor towards an understanding of the Early Cypriot period. Within the past decade he has been the subject of an international conference and the Nicholson Museum exhibition Aphrodite’s Island.
 
Unfortunately, Eleanor and Eve, his two wives and archaeological partners, have not reached the same level of recognition for their pioneering efforts in Cypriot archaeology and in Eve’s case, keeping Jim’s legacy alive. However, the process of finally recognising this contribution has begun in recent years following the publication of a biography of James and Eve based upon Eve’s letters (Powell 2013) and a short summary of Eleanor’s life (Merrillees 2013).
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'Belpaese' by William P. circa 1830 © Victoria and Albert Museum
Eleanor Mary Neal (1911-2002) was born in Somerset, England and worked for a time as a teacher. She met James Stewart through her elder brother who was at Cambridge where James read archaeology between 1931-1934. The pair worked on Sir Flinders Petrie’s final excavation season at Tell el-‘Ajjul in Dec 1933 - Jan 1934; it was the first fieldwork experience for both. Eve and Jim became engaged in April 1934 and married on 1 July 1935; using the Neal family home at Kingsdon in Somerset as their base until the outbreak of the Second World War. Although not formally trained as an archaeologist, by the time Jim took up a scholarship at the British School of Ankara in 1936, Eleanor had become a talented draftsperson, photographer and note-keeper.
 
They had first visited Cyprus in 1935 after a trip to Australia. Both fell in love with the island, and in 1937 returned to excavate a series of 85 tombs in the Early Bronze Age cemetery of Bellapis Vounous near Kyrenia. Eleanor not only worked in partnership with Jim during the excavations, but also on the recording and publication of finds and on an exhibition which was held at the Institute of Archaeology in Regent’s Park in 1939. Virginia Grace (The American School of Classical Studies, Athens) had visited the pair in the field and admired their ability to maintain complex catalogues of finds in their cat-filled workrooms in the medieval Abbey at Bellapais at the same time as digging (Powell 2013, 58).
 
Jim spent most of the war in prisoner-of-war camps in Germany; Eleanor with the Women’s Voluntary Services. At end of the war, the couple reunited in England and welcomed the birth of their only son in 1946. Shortly after, Jim took up a teaching role at the University of Sydney, moving to Sydney without his family. He returned to Cyprus alone in 1947 where he began an affair with Eve Dray and the marriage with Eleanor would soon end after she joined him in Sydney. As James wrote to Professor Einar Gjerstad in June 1947, “It looks as if Eleanor and I are going to break up our marriage—we have failed to adjust ourselves since the war, and it is no use continuing.  If it does come to a divorce this year, I shall marry Eve Dray, the girl who has been helping me with the drawings for Vounous and Lapithos.”
 
The final publication of the Vounous material appeared in 1950, co-authored by both Eleanor and Jim. It was her only writing on the archaeology of Cyprus but the contribution was significant. Jim made it clear the volume was a partnership: ‘the work is divided between us. My wife has been responsible for nearly all of the cataloguing of finds, and I have done the description of the graves’ (Stewart & Stewart, 1950: 10). However, because the work was published as E. and J.R. Stewart and the timing of its publication a decade after its main composition, many have erroneously assumed it was the work of Eve and not Eleanor. As Eve herself would later write (Merrillees 2013): ‘Eleanor might be given more credit; like me, she was the Junior Partner in Jim’s work: she did much of the Vounous cataloguing; many of the notes … are in her handwriting.’

After their divorce, Eleanor would remarry in 1952 but avoided archaeology completely. She married Sydney barrister Kenneth Jacobs who would eventually serve as a Justice in the High Court of Australia. From 1979 Lady Eleanor and Sir Kenneth Jacobs lived in the United Kingdom. Eleanor never revisited Cyprus although it is said that the she continued to have fond memories of the island (Merrillees 2013).

cited references

  • Merrillees, R.S., ‘Eleanor Stewart remembered’, in: A.B. Knapp, J.M. Webb & A. McCarthy (eds), J.R.B. Stewart: an archaeological legacy (SIMA CXXXIX: Uppsala 2013), ix-xii
  • Powell, J., Love’s Obsession: The Lives and Archaeology of Jim and Eve Stewart (Kent Town 2013)
  • Stewart, E. & J. Stewart, Vounous 1937–38: Field-Report on the Excavations sponsored by the British School of Archaeology at Athens (Lund 1950)
  • Stewart, J.R., ‘The Early Cypriote Bronze Age’, in: P. Dikaios & J.R. Stewart, The Swedish Cyprus Expedition Volume IV Part IA. The Stone Age and the Early Bronze Age in Cyprus, (Lund 1962), 205-401
 
Editorial note
​
Unfortunately photographs of Eleanor are elusive both from her early life and long marriage to Sir Kenneth Jacobs KBE QC. No known images of Eleanor are currently in the public domain.
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The case of Mrs Burnell: naming women in museum archives

12/8/2020

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Written by Candace Richards
The University of Sydney

In our previous article, Dr Alina Kozlovski highlighted some of the pitfalls in tracing married women’s research in bibliographies and citations, particularly with the popularity of the honorific Mrs during the 20th century. The historic social norm that had women changing their names in marriage also has implications for the ways in which museums understand their own archives. 
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Calcite jar, from Abydos, Egypt. NM60.51, Nicholson collection, Chau Chak Wing Museum, The University of Sydney.
​In 1960 this calcite jar was donated to the Nicholson Museum by Mr and Mrs F.S. Burnell (as recorded in our official register). In a copy of the thank you letter addressed to Mrs Burnell curator Prof. James Stewart, remarks: “when I got down to the Museum on Tuesday I found your delightful gift of the Egyptian alabaster pot from Abydos … It will be accessioned in the name of the two of you.” A handwritten note on the file for this item also gives the address of the Burnells at the time of donation and includes the notation ‘Bought in Cairo in First World War.’ 
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Thank you letter to Mrs Burnell from J.R. Stewart. Provided by Nicholson Collection, Chau Chak Wing Museum
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Object file note (street address redacted). Provided by Nicholson Collection, Chau Chak Wing Museum
The inclusion of the address and initials is a great starting point for finding out more information about a donor, thanks to the ever-expanding online records available for historical research. In this instance, F.S. Burnell was relatively easy to identify. Frederick Spencer Burnell (1880-1958) was an journalist and WW1 war correspondent with the Australian Naval and Military Expeditionary Force. The State Library of NSW and the Oxford Companion to Australian Literature both have online resources dedicated to his achievements, and there is a Wikipedia entry devoted to him. However, there is no mention of his marriage or wife’s name in these records.

Given that the museum’s archival record clearly states that the Abydos jar was purchased in Egypt during WW1 and the known fact that Burnell served in the war as a correspondent, one could easily assume that he had acquired it during that period, and then, following his passing in 1958, Mrs Burnell donated the item to the museum. However, Burnell was primarily stationed in New Guinea and the Pacific region and there is no record of his presence in Egypt. So how then did the jar come to be acquired? And who was Mrs Burnell?
​
For those in Sydney, particularly in the field of classical studies, the name Burnell might be more familiar. In the 1940s, Burnell launched a campaign to save the James Martin Lysicrates Monument from destruction when the government took over the land in Potts Point where it stood, and he was instrumental in gaining public support for its transferral to the Royal Botanic Garden in 1943. In 2016, the Lysicrates Foundation published a history of the monument including a chapter on Frederick Burnell himself by Andrew Harting. It is in Harting’s wonderfully detailed chapter that he reveals when and who Burnell married:
“Relatively late in life in March 1935 Burnell became engaged to Marjorie Kane Smyth (1888–1974). She had worked as a nurse in Egypt and France during World War I, published a collection of her poetry, Poems, in London in 1919, and was also a painter, on one occasion exhibiting her works alongside other Australian artists in Paris at the Salon d’Automne in 1925” (Harting 2016, 85).
​As pointed out by Harting, Marjorie Smyth was an accomplished woman with a full career prior to her marriage. Smyth graduated from the University of Sydney in 1910 with a Bachelor of Science with honours in Physiology and Geology/Palaeontology. In 1920, her publication Poems was reviewed favourably in The Herald  and she contributed to several exhibitions at the Grosvenor Galleries in Sydney throughout the 1930s. Today the NSW State Library holds one of her works in their collection View of Sydney Harbour Bridge under construction, ca. 1930. 
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Group photograph of women science graduates: Beryl Mclaughlin; Marian Morrison; Marjorie Smyth; Eileen Sly; Marion Sly; Dorothy Watkins. Image provided by University of Sydney Archives, G3_224_1127
Marjorie’s ‘late in life’ marriage, at the age of 47, led some to assume that instead of marrying in 1935, as confirmed in the Australian Marriage Index, she had died (Newman 2016, 168). It is easy to see how this assumption might occur. Biographical research relies heavily upon sources like military service records, census records and similar official documentation which do not easily incorporate name changes. On the Australian Electoral Roll and census records, Marjorie Smyth ceases to exist in 1935 with Marjorie Burnell appearing on the Electoral roll from 1936. The only government record that connect these two names is the Australian Marriage Index. These types of records were, until recently, difficult to obtain and connect together. The development of commercial online web providers specialising in this kind of documentation has made biographical research somewhat easier . For prominent citizens, we might expect that significant life events, such as a marriage, would be mentioned in historical accounts of their lives. However, as we have seen in the Burnell’s case, their marriage was of little consequence to either Frederick or Marjorie’s careers and thus easily overlooked in biographical histories that focussed on their many other achievements. Thankfully, art databases and records related to Smyth’s art works accurately reflect that Marjorie Smyth was also known as Marjorie Burnell. 

Marjorie Smyth’s service during WW1 places her squarely in Egypt, and we can be certain that she was the one who purchased the Abydos calcite jar, like many other service people who bought antiquities during their wartime postings. The fact that it was donated in both her married name and her husband’s, after he had passed, is not uncommon, and was followed up by Marjorie with a donation to the University of Sydney to endow a Classical Greek essay prize in Frederick’s honour in 1962 (Calendar 1963, 452).
​
The pitfalls of tracking married women in scholarship are varied and require active recognition of the many ways in which women can be easily written out, or in this case, ‘assumed out’ of history. The donation credit line for the Burnell’s Abydos jar has now been updated in the Nicholson Collection's databases to reflect the full names of both individuals, including an acknowledgement of Marjorie’s maiden name, and Marjorie has now been acknowledged as the collector of the item.

References

  • Harting, Andrew. 2016. ‘Frederick Spencer ‘Fritz’ Burnell (1886-1958)’ in The Lysicrates Prize 2016: The People’s Choice. Sydney. 77-89.
  • Newman, Vivien. 2016. Tumult and Tears: The story of the great war through the eyes and lves of its women poets. Barnsley, South York Shire.
  • Calendar of the University of Sydney for the year 1963. Sydney 1962. accessed: http://calendararchive.usyd.edu.au/Calendar/1963/1963.pdf
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Bibliographies and the past pitfalls of being a Mrs.

24/7/2020

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Written by Dr Alina Kozlovski
Santa Barbara Museum of Art | The University of Sydney

PictureConstance Phillott, 1890, 'Eugenie Sellers, Mrs Arthur Strong' - Image courtesty of The Mistress and Fellows, Girton College, Cambridge.
Over the last few years there have been many initiatives to improve how much we know about the contribution of women to the study of the ancient Greco-Roman world. These include calls to cite more women (and non-binary) authors. Achieving this can require a little detective work since markers of an author’s gender in books and journal articles are often not clear and have sometimes been deliberately avoided. While doing some of my own research, I discovered another, rather grave, problem which has sometimes effectively erased women from bibliographies altogether.

We have all seen old (and not so old) contexts which refer to a woman by her husband’s name with a Mrs attached. In the 1960s, Samantha from Bewitched became Mrs Darrin Stephens; in the 1990s Marge became Mrs Homer Simpson, and even today married women’s names sometimes get subsumed under their husband’s by banks and other institutions.  

In the academic world, this older naming system meant that when women did publish their own research while they were married, it would be using this naming convention. A good example is Eugénie Sellers Strong who, among many other academic achievements, was Assistant Director of the British School at Rome (1909-25). In her many publications she is variously cited using her family name as Eugénie Sellers, her family and married names as Eugénie Sellers Strong, and her husband’s name as Mrs. S. Arthur Strong (This S is for Sandford which was Arthur Strong’s first name, initialised in his own publications). Having so many variations is confusing enough, but the convention of using a married name presents a big problem for not only citing, but also finding, the work of women in older scholarship.

Today, Mrs. is fast going out of style. In academic works, titles usually get omitted altogether in favour of using just a person’s surname to identify them. With modern standardised citation styles there is rarely a space to put a Mrs., Mr., or similar into a bibliography. Many authors, I’m sure usually with good intentions about modernising how women are referred to, see an older work and drop the Mrs. from their own bibliography when citing it. Unfortunately, with the Mrs. being the only marker that distinguishes the wife from the husband, the wife’s work then is referred to only using his name.

And so, Eugénie Sellers turns into Mrs. S. Arthur Strong upon marriage which then simply becomes S. Arthur Strong in a modern bibliography. In her case, this confusion is further complicated by the fact that her husband was also an archaeologist and published in his own right. Out of curiosity I googled the titles of some of her publications and, sure enough, in modern works they are sometimes found under his name rather than hers. We already know that a lot of work by women often goes uncredited, but in this case even when it was originally credited, it has become lost since. 

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The beginning of the list of articles that come up if you look up ‘S. Arthur Strong’ on the Cambridge University Press website. S. Arthur Strong specialised in ancient Middle Eastern archaeology. Eugénie Sellers Strong specialised in ancient Greek and Roman art. All of these are credited to him.
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The discrepancy becomes clear when you open the actual articles and see that the one on Architectural Decoration is credited to Mrs. S. Arthur Strong.
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An example where a work by Eugénie Sellers Strong is credited to her husband in a book’s bibliography because the Mrs. has been omitted (screenshot Flower 1996, 386 - as found on Google books).
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An example where the same work is credited to E. Strong instead in an endnote (screenshot of Warburg 1999, 408 - as found on Google books).
Eugénie Sellers Strong is almost a celebrity when it comes to 20th century Greco-Roman archaeology. Her many contributions to the field are well known and not so hard to track. A bigger worry is how many other women’s names have fallen out of bibliographies when well-meaning researchers have wanted to modernise their citations. It is hard to know what women thought about being published under their husband's names in the contexts in which they lived. As today, the Mrs. might have been a symbol of oppression for some. For others, it might have been a source of pride. 

​Bibliographic conventions are not neutral in how they organise information and evolve as society’s standards change. As such, we have to be aware when we are dealing with an older system and double check that information is being carried across correctly. Who knows how many people’s contributions have been hidden behind someone else’s name.
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Upon my discovery of this issue I asked Cambridge University Press to change how this article is cited on their website and they returned the Mrs. for this one article. I asked them to fix it for the rest of her articles, but they haven't replied.

Resources

Readers might also find these other resources useful:
  • Suggestions on how to cite trans authors: https://medium.com/@MxComan/trans-citation-practices-a-quick-and-dirty-guideline-9f4168117115
  • Suggestions on how to cite the knowledge of indigenous people and groups originally recorded by non-indigenous researchers: ​https://archivaldecolonist.com/2020/05/07/indigenous-referencing-prototype-non-indigenous-authored-works/

References

  • Flower,  Harriet. 1996, Ancestor Masks and Aristocratic Power in Roman Culture. Clarendon Press, New York.
  • Warburg, Aby. 1999, The Renewal of Pagan Antiquity: contributions to the cultural history of the European Renaissance. Getty Research Institute for the History of Art and the Humanities, Los Angeles.
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    Blog Subjects

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    Theme: Mrs
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    About the Blog

    ​The contribution made by women to ancient world studies in Australia and New Zealand has often been neglected. Our blog aims to bring you new research and insights into some of these remarkable women.

    Written by AWAWS members, these entries will hopefully be a starting point to discovering more about the diversity of people who have shaped our understanding of the ancient world.

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